From another perspective.

D

o you remember what I said yesterday about November 21 being the start of my year? Well, I started that. After some thought I decided that I wanted to take a look back at my traveling life.

This does two things.

You get to see photographs that you might never have seen. You know. Exclusive to the readers of Storyteller. I have further plans for that.

This also forces me to work through my archive and do something about the 50 year old mess.

I also am playing with, tinkering with, and experimenting with different art forms.

Anyway.

T

his is The Church of Saint Francis Assisi located in Taos, New Mexico. It’s actually in Rancho de Taos. The plaza that is built around the church is dusty and has seen better days.

Just about everybody and their brother has photographed it. And, their brother’s brother too. It’s a challenge to do something different. I think I did, but only because of luck and timing. Saying that is a gamble. Obviously, I haven’t seen every picture that was taken there.

Happy Tuesday.


Everybody knows this place. But, they know it from a different angle. This is the famous San Francisco de Asis church in Rancho de Taos, New Mexico. Viewed from its back side, which faces the road, it is probably one of the most painted and photographed places in The United States. But, seen from the front it almost looks like just about any New Mexican church that is surrounded by a village plaza.

The picture. If you make a time exposure in deep shadow that natural blues in the cold light will appear.

However, I did enhance this image to make it look my mind’s eye saw it. Here’s the deal. When we make a picture of a scene there was something that attracted us to it. But, quite often neither a digital capture of an exposure made on a piece of film — remember that — can capture the scene as we remember it. That’s due to the limitations of chemistry, optics or even physics.So, I chose to help the picture along in post production. There is also an opposing philosophy that says the picture should look exactly as the camera captured it. Some photographers make a big deal of that. Why? The photographer whose name everybody knows is Ansel Adams. He never left the image alone as it came from the camera. In fact, he created an entire method of developing and printing the picture called The Zone System. He sought to improve the raw image and turn it into the image he saw when he actually pushed the shutter release button.

There you have it.