iming. It’s everything. Look in one direction and you see nothing. Turn around and there’s the picture. Make some great music and nobody hears it unless the timing is right. Play sports, maybe baseball. The difference between striking out and hitting a home run is timing.
You get the point.
This picture is a great example of timing. I was trying every which way to get under the wires to get some of the orange cloud into the picture. I couldn’t do it.
I turned to the side and thought, “There is a picture here after all.” This one. The one you are looking at.
Here’s an extreme example of timing. As you know, I can’t be in crowds. That means I can’t photograph second lines. Normally. I start at the beginning, walk a good bit with the parade. Then, I get back to my car and jump to the end.
If I had been out on Sunday, I could have been way too near a shooting that left one dead and one critically injured. I’m pretty sure it was gang related. For sure, it was Black on Black.
That, alone, makes me sad.
But, a misfired bullet in the air doesn’t see color. It just zooms through the air hitting whatever it comes in contact with. It would be one thing if these boneheads could actually shoot. But, they can’t. They spray bullets everywhere trying to hit the one poor guy they are after.
Think about it.
I was on the corner of St. Bernard Avenue and St. Claude on one Mother’s Day a few years back when two fools started shooting into the crowd in order to hit their target. They didn’t hit him, but they did hit a lot of innocent people.
They hit my friend, and just about everybody’s friend, “Big Red” Deb Cotton in the stomach. That may be the worst survivable wound. She survived, but after years of painful surgeries, she died.
Murders are up by 24% in New Orleans. Gun deaths are the highest they’ve ever been in the city.
fter I saw the picture I did everything I could to avoid those power lines, but I couldn’t.
It’s ironic. If I photographed this scene about a month earlier those lines wouldn’t have been in the way. They’d have been in the street.
My biggest trick was to darken the entire picture to bring the color out. I did add some soft glow because I like it.
If I left the picture horizontal there would have been way too much black. The color would have receded into the scene. So, I cropped it.
I’m not the world’s biggest fan of square pictures. Obviously, I use them when the situation calls for it.
Nothing is set in cement. Photographic rules should be learned and understood so that you can break them when your work calls for it.
I suppose that’s the same with most rules. Live by them until something goes way south. Then, do what you have to do.
Hopefully, it will be subtle and peaceful.
Unlike this photograph.