In a quiet place.

M

any years ago, I used to publish an experimental picture every Sunday. I haven’t done it for a long while. I’d like to say that I’m going to resume, but I’ll probably forget.

Throughout the news sites that I read there have been discussions about CoVid-19 (Over 106,000 daily new infections.), The Olympics, national and global fires, climate change and water.

Since I live in the land of too much water, I thought that I’d focus on that, not so much from a documentary standpoint, but from an artistic standpoint.

So.

This picture is about water. And, leaves. And, branches.

It took some doing to combine these natural elements because they are three separate pictures. We’ll get to that in a minute.

To my mind, all of the news with the exception of The Olympics are nature being nature. Even sports in Japan could fall into the nature category because anyone who competed outside felt the Japanese heat.

I’ve written this in the past, but to me it seems like nature, always seeking stasis, has finally had enough. Ma Nature has decided we — the human race — is the problem and she’s going to do something about us.

Or, we can mend our way. Right this minute. Now.

L

ayers. That’s my trick. As I wrote on the other side, there are three layers here.

Water, leaves and branches. Each of them was photographed at different times.

I started with the water and dropped the leaves into that. I held that back and worked on the branches, which ultimately becomes the base of the entire image.

There was the usual fine tuning and adding the faux bokeh.

I was finished.

I want to discuss one other topic. A friend of mine wrote blog about light. He said that the “overused painting with light” was really not in the discussion.

I wonder why he did that. Photography is literally the Greek words for “Painting with light.” Or, really, “Drawing with light.”

That’s the very first thing you learn in a photo class at any level.