ew Mexican skies. There’s nothing like them. Along with the light, that’s what draws artists from every place in the world.
That’s not why I went there, but I exploited those things every chance that I could. So, you get to see a lot of sky photographs.
This place is interesting. If you read the caption you know that the hump-like mountain is really a volcano. You also know that it has been dormant for 30,000 years, which is certainly older than you or me.
The clouds in the sky looks almost like smoke. It isn’t but, the shape is interesting to me.
I used to like driving here. You could leave Albuquerque by what was left of Route 66, make right hand turn on the road facing the volcano, drive north for about ten miles, turn right again and head towards the city.
This was especially good working on PAD projects because you could see a lot of different stuff along the way. And, as you know, if you want better pictures stand in front of better stuff.
Do you stand in front of better stuff?
nce again, I’ve failed you. There is almost no technique to discuss.
See it. Stop your car. Photograph it. Get back in your car. Drive away fast, like you robbed a bank.
Post production is fairly simple.
Once again, I learned that darkening the picture works really well.
And, rather than make really detailed clouds, I’ve been reducing the sharpness with a slider called structure in the app called Snapseed.
Move the structure slider so that it is 100% soft and you’ll make these kinds of dreamy clouds.
Move it the other way and the clouds will have a surprising amount of detail.
How detail oriented are you?