Street portrait of a captain.

Back on track, I’d say.

I’m not that back on track. I thought that I’d written and posted this. Unfortunately, I fell back asleep before I completed this. I walked a lot last night. You know. Five parades. 164 floats. A billion beads. Not as many people as I thought would come out.

All that walking took its toll. First, my hip started killing me. Then, the pain moved to my knee. Luckily, I was able to depend on the kindness of strangers. They let me sit on their stoops, their porches and even on the bumpers of their trucks.

But.

That’s not all. Walking in pain is very tiring. More so than just walking. So, I decided to mostly rest today. The parades that I were interested in photographing have long departed, but are still an hour or two from Canal Street, another good place to work if you can stand the throngs of people competing for beads. Because of the pictures I’d like to make, that’s not a big concern for me.

However.

Now that we are in the heart of the season, parking will be dear or non-existent. Normally, I’d just park in Treme and walk over. And, walk over. I’m not so sure about that. Walking over.

Unfortunately, this parade season is my last. Unless there is a real fix to my issues other than masking them with pain meds, I can’t do this again. That’s sad because I’ve pretty much given up second lines. I’ll likely photograph this years two Eastbank Super Sundays, but that too, will be it.

There’s plenty of stuff to photograph, even without travel. I could document everything in New Orleans and never, ever be finished. That won’t require the long walks that the culture events do. I’ll still walk some. The dog who see things requires it. Those are slow and gentle walks, with places to sit if I need to do that.

The picture. I guess because I carry myself like I look like I know what I’m doing, people take me seriously. I stopped this krewe leader and asked him to just look at me. This took maybe 30 seconds, and I thanked him. See you later. Happy Mardi Gras.

I was exchanging comments with another photographer/poet. She would like to do some street photography but working in a people-driven genre sort of scares her.

I suppose that it’s something learned. I’m sure that because I’ve done it for so long, I don’t think twice about making pictures of people. I usually kiddingly say that with a camera in my hand I’m Superman.