Not so far in the future. Maybe just up to Mardi Gras parade time. Anything more would be wasted because as a not-so-wise boxer once said, “You can make all the plans that you want, but once you get punched in the face all the plans go out the window.” That’ll happen with Mardi Gras plans as well. The minute the season starts, everything will change. I have to be on the scene to understand the plans.
My biggest question is do I shoot what I’ve done for the last seven years and work the start of the parade? Or, should I do something different? What that is, I’m not sure yet. Hopefully, it’ll come to me in a dream, or in the shower.
There is also the yearly question of scheduling a number of events. They need to fit somewhat neatly together. Once I’ve got that clear in my mind and on paper I can fit the rest “stuff” into the year.
That’s another thing.
Although I do my scheduling on a digital calendar, I’m going back to paper for the details. It’s a better way to remember and it just feels better, which is like the debate between digital capture and film photography. They both have their place, but to me digital capture is like working on an assembly line in a factory. Film photography feels crafted and a little more artistic.
The picture. A very early Mardi Gras parade image. It was made on film and scanned much later. I forgot about it because somehow it was filed in the wrong archive. It was lost until I started digging. In those days I mostly worked with Fuji Velvia. Its ISO was 50. It really did better when you rated it at ISO 40. That’s slow. Very slow. That made working at night a challenge if you weren’t using strobes. I don’t use strobe at events like that because unless you hit the light dead on the picture looks way over lighted.
Instead, I would work for motion and ambient light. That allowed me to make pictures like this. The only sharp part of the image is part of a motorcycle wind screen is in the middle of the frame.
A picture like this one is impressionistic. That makes sense because of all the photographers who inspire me, painters inspire me more.
That’s the story.