First, the pool umbrella. Back from its watery grave. No worse for wear. These kinds of pictures are easy to make. Easy to take. We’ll get back to that in a minute.
My new watermark. I don’t think watermarks have to be flashy or over designed. It’s the content that matters. I was reading a new book — new to me — about more contemporary photographers. One of them used a copyright/credit line that had his last name and his location. I thought that was pretty cool, so I just stole it lock, stock and barrel.
From that same book, I was reading about Todd Hido. I’ve liked his work from the first time I saw it. This guy produces single themed books and exhibitions. He takes his time finding and photographing his subjects. One of the questions he was asked is concerned with knowing when a project is done. When do you stop making pictures and started culling and organizing?
Hido said that he knows that he’s done when it is not worth the trouble to stop, get out of his car and set up. He also cautions that you shouldn’t pull the trigger too early especially in today’s sped up culture. A project could last for many years. He weaves projects around each other, pretty much like I do.
“Not worth the trouble…”
That phrase says a lot. It explains why I am having such a hard time photographing second lines and Mardi Gras Indian events. I’ve been doing that for seven years. It’s not just that I’m in pain, or that I’m afraid of falling down in the street. It’s that I’ve finished my project and it’s time to move on. I know this to be true because if I really want to do something I’ll deal with the pain. That won’t stop me.
So. I’m free. Time to move on. Time to finish other projects.
It’s also time to look at the work of photographers who are younger than me. Hido is 12 years younger. His work is great. His thinking got me going enough to gain some clarity. As much as I always return to the work of Jay Maisel, Ernst Haas and Robert Frank, two of them are gone and one is 88 years old.
The world turns. It changes. Change or die… they keep telling me.