A hard way to make a living. These days, in the music industry, distribution is king. Without that, you struggle with tours and merchandise sales. If you are working the street, you have none of that.
You have the music. You have a tip jar. And, maybe a few cheaply recorded CDs for sale.
Cheaply is an understatement. Just like digital photography, and auto photographers, everybody with a computer thinks that they can record and master music. Sure, there’s a few folks with passion and drive. For the most part, music recorded, mixed and mastered on a computer sounds like it. You really have to like the songs to listen to that poorly recorded sound.
Take a look at her. She’s got her violin. Her tip jar — well — wagon, and she’s waving a CD around. I admire her. That’s hard work. It was cold that night. She’s wearing a glove on one hand. Yet, she’s smiling and chatting up anybody who’ll listen.
That’s what it takes.
Let’s bounce. Back to photography. You can have all the best gear. You can have all the learned technical skills. You can even make a good picture or two. Without that energy, passion and desire, you ain’t gonna make it.
Like a good musician, a photographer must woodshed. That means taking pictures when you aren’t traveling. When you aren’t getting paid. When you don’t feel like it. That’s how you get good. You work in all kinds of weather. You walk. You look. You make pictures. You work on them at home. You even keep the real losers so that you can learn from your mistakes.
Then, when you are traveling on your own. Or, when you have a paid assignment. The pictures come easily. They find you. You are ready. You’ve practiced. That’s one of the things “ten tips that will make you a great photographer,” never tell you. Work. Work. Work.
The picture. One of those French Quarter nights. Wandering around. Practicing. Looking for pictures. Not caring about showing them to anybody. Or, about money. Just working for the joy of it. Knowing me, I used a 16mm lens, set at f 4.0 and the shutter speed was maybe 1/30th of a second. Most is sharp, except for the CD she is waving around. That’s okay. Her face is sharp. That’s another thing. A picture like this one needs sharpness somewhere. It’s not like those whirly-burly things I photograph sometimes when everything is moving. That’s a whole other skill.
Questions? Please ask.