Painted morning light.

March 1. 2018.

February, despite being a short month, was packed with stuff. Mardi Gras. Second Lines. A jazz funeral. And, of course, the horrible tragedy at Stoneman-Davis in Parkland, Florida. 17 people were murdered, most of them children.

This will stick with us for a long, long time.

After watching the survivors take control, I have a little hope. Young people helped change the world in the 1960s and 1970s. If you trace our history back far enough, you’ll find that many of the signatories of the Declaration of Independence in 1776, were somewhere between 18 and 22 years old.

Think about it.

For the first day of a new month, I chose to do a little painting. Well, digital painting. It’s a funny thing. Even though I keep telling you that this is a new style of work, a quick scroll of my Google Archives reveals that I’ve been doing this for about eight years in one form or another. In many way, I should be a lot further along in this journey. Documenting things like New Orleans culture seems to creep back in to my days.

I was talking to a colleague of mine, who said that as we move into our sixties and — hopefully beyond — that it might be time to give up the street. Time to move into other phases of our art. Of our craft. Of our business.  I suspect that he’s right. For the most part I’ve given up photographing second lines and staying out for hours on Mardi Gras Day. I attributed that to some health issues. But, I’ve worked through most of those. I actually feel pretty good. Today.

That said, I still can’t seem to return to the street. I dip my toes in it. I make a few pretty good pictures. And, think to myself, “so what?” Yes. I know that the costumes and suits change yearly. But, to my photographic eye, the pictures look the same. They repeat themselves. They look dated even when they are brand new.

I’m in the middle of two experiments to help clarify that.

I’m going to photograph Sunday’s second line. Yeah. I know. I know. But, it’s a children and ladies parade. It’s Uptown. I want to see if I can work it in some different way.

Check out Friday’s Instagram post. Mostly I post in black and white. Friday’s image is monochrome and it’s of an Indian. It’s a very different way of doing that kind of post production process. Maybe the trick is to make pictures knowing that the image file is just the very beginning of a much longer process. That even if it looks good in color, there is a different final image.

In either case, you may not see the results. Or, maybe you will. It all depends.

Depends. Hmmmm….

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