Spring is about change. Rebirth. Change.
All I know is that I’m going to make some changes. Some to me. Some to my shooting style. At least for what I am loosely calling the spring series. As you know, my general style is bright, high color, contrasty and fairly graphic. When I photograph something like flowers, I usually frame them very tightly. Then I work them in post production. That’s what I started out doing with this first spring series. Something happened. The wind blew and I moved to keep up with the picture and I found this kind of strange crop. I don’t normally chimp, but I wanted to see if the picture I thought I made was really the picture I made. It was.
It is more about the space in between than the flower, itself.
Something a little different for me.
I set out to TRY to make more of them. I failed way more than I succeeded, but so it goes.
I’m staying off the streets for physical reasons. But, if the truth be told, I really am tired of photographing events like second lines, Mardi Gras Indians and even Mardi Gras itself. I think I’ve done what I can with those subjects.
If I was really, really deep into the culture I would see the little changes and different years suits would be a big deal to me. If I could find different angles for Mardi Gras that might help. But, I don’t know enough people to say, “hey, let me up on your balcony or on your roof.” The other day I realized I don’t very many people in the city. At least very well. Just call me an iconoclast. That’s why I live in a “compound,” behind a fence.
I’ve been sort of casting about for a quiet project. This might be it. The light has to be right. The scene has to be right. And, I have to be right.
Make no mistake. I’m not staying with this forever. I’m not a nature guy. I’m really not a flower guy. I just like what I like. Remember, I’m the guy who, when you ask what kind of flower is in the picture, I reply “a yellow one.” I’m really just clearing my mind for the next personal project. Whatever that might be.
I’m going to dispense with the photo technique for a while, except to say that for this series, it’s all in how I saw the image. There is minimal post production. If anything, I tune pictures down a bit. I want them to be soft and gauzy. If I wasn’t such a wimp, I’d actually do that in the camera.
You know how that goes.