I like working in it. Rain. Snow. Slush. Ice. Even wind. I often quote National Geographic’s Sam Abell who said, “When the weather turns bad, the pictures get good.” I probably live in a good place for that. Although we don’t often get snow or ice in New Orleans, we do get a lot of rain. Misty rain. Sprinkles. Hard rain. Sideways rain.
This picture was made in 1995. In New York City. I was mostly working with a lot of color slide film by then, but often I would shoot a little black and white.
Generally, I was falling into one of the patterns you see today. Some of my better work was produced while I was on my way to someplace else.
This picture was made with a Nikon F90. Yeah, the “Rest of the World” version of the of the N90, which I believe was only sold in The United States. I’m not such a gear guy, that I know those sorts of things. For sure. Especially something from 20 years ago. The lens was a 105mm. F 2.8. The film, as usual, was Kodak Tri-X black and white film.
Here’s where the fun begins.
The film was rated at 320 ISO. The lens was set to f5.6 and the shutter speed went wherever it needed to go using auto metering. I’m guessing this picture was made at 1/4 of a second. I also took off the lens hood. Doing that made me a little less conspicuous. Mostly, I wanted to capture the feeling of being in a rain storm. I usually think feeling and sensing are better than documenting.
All that weird refraction and blur along the edges of the picture was caused by photographing through rain drops on the lens. Yes. I know. That’s not a great idea. Protect you gear at all costs. But, what’s the point of having cameras and lenses if you can’t break them while you are making pictures?
Seriously. The lens didn’t stay wet for very long. It does illustrate how far I’ll go to make the picture in my head.