Blue Light


Everybody knows this place. But, they know it from a different angle. This is the famous San Francisco de Asis church in Rancho de Taos, New Mexico. Viewed from its back side, which faces the road, it is probably one of the most painted and photographed places in The United States. But, seen from the front it almost looks like just about any New Mexican church that is surrounded by a village plaza.

The picture. If you make a time exposure in deep shadow that natural blues in the cold light will appear.

However, I did enhance this image to make it look my mind’s eye saw it. Here’s the deal. When we make a picture of a scene there was something that attracted us to it. But, quite often neither a digital capture of an exposure made on a piece of film — remember that — can capture the scene as we remember it. That’s due to the limitations of chemistry, optics or even physics.So, I chose to help the picture along in post production. There is also an opposing philosophy that says the picture should look exactly as the camera captured it. Some photographers make a big deal of that. Why? The photographer whose name everybody knows is Ansel Adams. He never left the image alone as it came from the camera. In fact, he created an entire method of developing and printing the picture called The Zone System. He sought to improve the raw image and turn it into the image he saw when he actually pushed the shutter release button.

There you have it.

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6 thoughts on “Blue Light

  1. Ray; the artist does what he feels right to him in his own imagination. Anybody can take a picture but the artist gives it life, soul, meaning, as you did in this perfectly dreamy image: Blue Light. Thank you.

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